Tuesday, December 31, 2019

Kate Chopin s The Awakening - 1981 Words

Skylett Villacis Ms. Gibeily English 3, Period 7 4 April 2016 The Obstacles of Feminism in the 1800s The Awakening by Kate Chopin published in 1899 is a novel that can teach the true meaning of family, the importance of friendship, and the value of independence. Chopin teaches the true meaning of family by showing how Edna receives no support from her own family and struggles to succeed without them. Chopin shows the importance of friendship when Edna has no one by her side until she meets a woman named Adele and a man named Robert. The primary area that Chopin focuses on is the satisfaction of independence. Edna loses herself throughout time but has two friends to help her get back on track. In The Awakening, Kate Chopin uses family, friendship, and independence in order to show the obstacles women go through, such as being disciplined by the men in their life, and not being able to choose who they would like to spend the rest of their life with, in the 1800s. Chopin introduces the true meaning of family by beginning the story with Edna and her husband Leonce going on a getaway to a cottage. Its begins with showing how happy they are being married and having their own family together. Edna and Leonce s marriage is going through difficulties at the time, but things seem to get worse at their getaway to the cottage. Edna is confused on why her husband and her kids are acting a certain way towards her. She says, It would have been a difficult matter for Mr.Show MoreRelatedKate Chopin s The Awakening935 Words   |  4 PagesKate Chopin’s â€Å"The Awakening† can arguably be considered a feminist piece, but regardless of whether it is or not, the short story unmistakably describes how life was for women in the late 1800’s. Her story is a great example of the sexist views of the time and existing social roles for each gender. The literature includes a large interplay between society and gender roles, which affected the read er’s response to the plot and other literary devices such as imagery back then and even today. ChopinRead MoreKate Chopin s The Awakening1553 Words   |  7 Pagesare evident throughout The Awakening by Kate Chopin. Chopin uses contrasting characters such as Edna Pontellier and Adele Ratignolle to further embody the differing aspects of feminism. Adele Ratignolle represents the ideal woman of the time period, a mindless housewife working to serve her family, whereas Edna signifies an independent and daring woman who does not conform to society’s beliefs. These two women’s differing characteristics and personalities allow Chopin to further compare and contrastRead MoreKate Chopin s The Awakening1497 Words   |  6 PagesEdna Proves that Society Does Not Control Her In Kate Chopin s novella, the awakening, Chopin portrays a story of how the protagonist, Edna Pontellier, undergoes a realization that she has been dumbfounded by the way society assert roles for women. Mrs. Pontellier s awakening stirs up issues in her marriage with her husband. For Mr. Pontellier does not understand why his wife is acting different as someone who does not share the values and duties that society withholds women to. Edna even fallsRead MoreKate Chopin s The Awakening Essay1450 Words   |  6 Pagesâ€Å"The beginning of things, of a world especially, is necessarily vague, tangled, chaotic, and exceedingly disturbing† (Chopin 67). Change: the most frightening word in the English language; it has never came quickly, never came easily, never come without casualties. Throughout history, countless revolutions have fought with blood, sweat, and tears for the acceptance of new ideas to foster change within mainstream culture. Naturally, there is always a resilient resistance to revolution, the norm thatRead MoreKate Chopin s The Awakening1875 Words   |  8 Pageswomen s rights on the grounds of political, social, and economic equality to men.† The Awakening, by Kate Chopin, was written in 1890 during the height of the women s suffrage movement, and essentially the public felt that the author â€Å"went too far† due to â€Å"the sensuality† of the protagonist (Toth 1). The â€Å"male gatekeepers† that scrutinized her work saw her piece as a statement that â€Å"the husband is a drag†, and that traditional American values should be forgotten (Toth 1). In truth, Chopin did notRead MoreKate Chopin s The Awakening2531 Words   |  11 PagesDress to Impress Kate Chopin’s novel, The Awakening depicts sexual affairs, inner struggles, and the conquest of motherhood that most women face today. The conquest of motherhood involves the battle between being a supportive wife and selfless mother. The story revolves around the characters’ dialogue and appearances described beautifully throughout the novel by Kate Chopin. The story is a familiar one that, sadly, most women can relate to: A woman is married without knowing what true love is. HerRead MoreKate Chopin s The Awakening1685 Words   |  7 Pagesconforms, the inward life which questions† (Chopin 18). The Victorian Era created a clear distinguishment between male and female roles in society, where women were expected to behave feminine-like, be responsible for domestic duties and have little involvement in society. This created a heavy oppression upon females and as a result forced many of them to remain entrapped in a male dominant society, in fear of being outcasted . In the novel The Awakening, Kate Chopin depicts how Edna’s defiance of VictorianRead MoreKate Chopin s The Awakening1198 Words   |  5 Pageswoman’s freedom is the driving force behind Kate Chopin’s contextual objections to propriety. In particular, The Awakening and â€Å"The Story of an Hour† explore the lives of women seeking marital liberation and individuality. Mrs. Chopin, who was raised in a matriarchal household, expresses her opposition to the nineteenth century patriarchal society while using her personal experiences to exemplify her feminist views. Katherine O’Flaherty, later Kate Chopin, was born to Eliza and Thomas O’FlahertyRead MoreKate Chopin s The Awakening1870 Words   |  8 Pagessymbolizes the Marxist cause. A multitude books throughout history and the current day are representing the groundbreaking thoughts of Marxism, and they help to demonstrate how vile Capitalism truly is. In Kate Chopin’s The Awakening there lie countless subtleties of Marxism and its standards. Chopin skillfully injects the ideals into the novel through characters’ actions and behaviors. Three characters in particular represent the evils of Capitalism in the teachings of Marxist, and those charactersRead MoreKate Chopin s The Awakening882 Words   |  4 PagesThe article I have chosen to respond to was â€Å"Adele Ratignolle: Kate Chopin’s Feminist at Home in â€Å"The Awakening†Ã¢â‚¬  by Kathleen M. Streater. In this article, Streater argues that the feminism of Adele Ratignolle was overshadowe d by the radicalism of the main character, Edna Pontieller. Although Ratignolle was not as extreme or romantic as Pontieller, Streater argues that Ratignolle was more of an equal in the home than readers would suggest. Introduced as the â€Å"mother-woman,† Adele Ratignolle chose

Monday, December 23, 2019

Is Eddie a Tragic Hero (the View from the Bridge)

Is Eddie a Tragic hero for our times? A tragic hero, referring to the real definition, is â€Å"a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy.† (http://dictionary.reference.com/browse/tragic+hero) The play, A View from the Bridge written by Arthur Miller defines the character Eddie, the protagonist, as occupying most of the qualities for a tragic hero. Eddie in A View from the Bridge came from a noble family background and had failed to realize his weakness that he had love for his niece. In this case, this love is not an adopted daughter and a father love but rather the love of a man to a woman. This tradition of a tragic hero, the wealthy or the†¦show more content†¦He also commented on the characters, which is obvious that he is the voice for reasoning. And that is probably why Arthur Miller chose him to be a lawyer since the main job of a lawyer is to bring justice and dist inguish between what’s right and wrong. He is the voice from the perspective of Arthur Miller therefore he makes readers and audiences understand, admire and forgive Eddie of what he had done that caused him to be in such aShow MoreRelatedEddie Carbone as a Tragic Hero in A View from the Bridge Essay1131 Words   |  5 PagesA View from the Bridge is a dramatic tragedy, which follows the life of a dockworker, Eddie Carbone, in 1950s America who is the main focus of the play. He represents the average, everyday man in society, but his character draws parallels to many tragic heroes in the past shown in Greek tragedies, Shakespeare’s plays, etc. (e.g. Hamlet and Macbeth). A tragic hero is the hero in the story who has positive and negative traits and their negative traits is what eventually leads to the demise and thisRead MoreTo What Extent Can Eddie Be Described as a Tragic Hero in ‘a View from the Bridge by Arthur Miller?2453 Words   |  10 PagesIn writing Â⠀˜A View from the Bridge, Arthur Miller wanted to create a modern Greek tragedy. An Ancient Greek tragedy was a play where fate brings about the downfall of the characters involved. It has many other generic features which Miller has incorporated into his modern version. The character of Alfieri is used in the traditional chorus role, and Eddie is often likened to a tragic hero, the main character who contributes to their own downfall through a flawed personality, typically describedRead MoreSelf-Discipline Is the Best Discipline: A View from the Bridge by Arthur Miller1484 Words   |  6 PagesNaturally, the plot follows tragic form; however, in retelling the storing, Miller adds a few twists. Miller fuses elements from Greek and Christian tragedies, all the while redefining a tragic hero. Expectedly, the main character, Eddie, exhibits a tragic flaw. Because Eddie cannot accept his responsibilities and connections to both the Sicilian-American community and his niece, Catherine , he breaks the highly respected moral code. Breaking moral law makes evident Eddie’s tragic flaw: the inability toRead MoreA View from the Bridge by Miller1609 Words   |  7 PagesMiller’s A View from the Bridge, originally written in 1956 as a one act play, has many features of a classic Greek tragedy. It is set in the Italian-American neighbourhood, situated in Red Hook, near Brooklyn Bridge in New York. It is in this community Miller chooses to dramatise themes of conflict, betrayal, love and obsession. The underlying omerta is present throughout the play and is the reason for the conflict as it is defied by Eddie Carbone, the Italian longshoreman, who destroys himselfRead MoreA View from the Bridge - Importance of the Boxing Scene1622 Words   |  7 Pagesâ€Å"A View from the Bridge† is a tragic play written by Arthur Miller, based on the concept of illegal immigrants being snitched on by their own relatives.   In this play, the boxing scene refers to the last part of Act 1 or Episode 5 of the play. So far in the play, we learn that Beatrice and Eddie are married, and their adopted child is Catherine, who is almost a legal adult.   Marco and Rodolfo are illegal immigrants from Sicily, who are Beatrice’s cousins.    Catherine and Rodolfo soon start to developRead MoreThe Dramatic Importance of the Role of Alfieri in A View From the Bridge1115 Words   |  5 PagesImportance of the Role of Alfieri in A View From the Bridge First performed in 1956. Arthur Millers play A view from the bridge was originally set in the 1940s and started life as a one act verse before Arthur Miller converted it to a two act play to enhance and make it more enjoyable for the audience of today. In the title A view from the bridge Arthur Miller is referring to the Brooklyn Bridge which used to be the largest cable bridge in the world and its main purposeRead More Analysing the Portrayal of Eddie Carbone as a Tragic Hero Essay2144 Words   |  9 PagesAnalysing the Portrayal of Eddie Carbone as a Tragic Hero A View from the Bridge by Arthur Miller is a dramatically tense tragedy that presents the story of the downfall of an ordinary man. The play examines the tragic consequences of Eddie Carbones inability to understand himself and his actions. This predominantly takes the form of his prejudice towards his cousin and his inappropriate attraction to his niece. It is set in the 1950s and was written while Miller had become interested inRead MoreA View from the Bridge1822 Words   |  8 PagesLiterature Coursework-Modern Drama What is the dramatic function of Alfieri’s character in ‘A View from the Bridge’? ‘A View from the Bridge’ is a play written by Arthur Miller. Miller’s inspiration for this play is close to his heart. He grew up in New York City; his parents were illegal immigrants into the United States looking for work. Alfieri is a key component, not only is he a character he is also a narrator. He acts as a chorus to the play and an aid to the audience. Alfieri plays manyRead MoreA View from a Bridge Dramatic Techniques2178 Words   |  9 PagesHow does Arthur Miller successfully engage an audience with A play with no surprise? A view from a bridge is a play written by Arthur Miller in the 1950s. Miller wrote the play as a modern day Greek tragedy in New York Brooklyn. Arthur Miller captures the audience with a true story twisted in his own words from which emerge the controversial ideas of incest, cultural obligation and masculinity. The part in the play where Alfieri mentions ‘it is not what but how means that even though we knowRead MoreConventions of Tragedy in A View From The Bridge By Arthur Miller1100 Words   |  5 Pagesin A View From The Bridge By Arthur Miller Arthur Miller manipulates his characters and uses literary devices to effectively convey to the audience the trajectory of Eddie Carbone and his flaws of misconduct in the play, A View From The Bridge. He uses all the conventions of a modern tragedy adequately to help arouse sympathy, suspense and fear from the audience at significant intervals of the play. Mr Eddie Carbone

Sunday, December 15, 2019

The Romantic Era Free Essays

The Romantic era can be understood as the period which spurred the artistic sensibilities of individuals. By doing away with the established norms of conducting things, people were given a considerable stretch of freedom in expressing their innermost feelings and perceptions of their surrounding world. Not only were individuals granted with full access to their potentials with only their imagination to limit them, the Romantic era also â€Å"highlighted a great transformation of the society† (Lenneberg, 1994, p. We will write a custom essay sample on The Romantic Era or any similar topic only for you Order Now 619). While individuals exploit the liberty to express their selves to the fullest extent, the various sectors of the society reaped rewarding benefits in various ways. For example, visual artists were not anymore confined by the boundaries set forth by the previous Classical period. Their artistic horizons grew and their artistic boundaries melted down. In terms of music, it can be said that the virtuosos gained exceptional popularity and social acceptance. Singers, pianists and violinists, for examples, have exceeded the expectations of their audiences during their performances largely because they performed with such great passion and intensity. Part of the reason why the expectations of their audiences were exceeded is the fact that most of the pieces played were challenging, if not extremely difficult to master. The dawning of the Romantic era spawned a great deal of new art forms which were relatively unknown in earlier times. Symphonic poems and art songs are just some of the new artistic avenues introduced at the height of the Romantic period. It takes little effort to realize that, indeed, the rising of a new period would consequently usher in a new set of artistic forms. On the other hand, the opposite can be also true. That is, the realization of new artistic forms and styles in certain disciplines could also be reasons to the proliferation of the Romantic era. Experimentation was a key factor in the realization of these new artistic avenues during the Romantic era. It can be said that, as people began to acquire more and more freedom, individuals became more accustomed to the thought and practice of transcending the works of their predecessors. Experimenting with what has already been established during the Classical period could have even been the pastime for most artists. In essence, the relative success of the Romantic era for the artists can be directly linked with the substantial increase in their liberty to practice their craft and master their skills. With the thought of experimenting, people especially artists of the Romantic era may have been constantly seeking their fantasies and reassuring that these fantasies come to life in their artistic works. Perhaps the artists during the Classical period were strongly delimited by the standards of the society during those times, which is why the manifestation of their fantasies rarely materialized although the waves of artistic fantasies ripple right through the very hearts and minds of these artists. As an apparent result, artists grew more and more creative in ways unimaginable, at least in the context of the time during the Classical period. The increased abundance of creativity during the Romantic era paved the way for â€Å"the self-realization among individuals that not everything can be or should be categorized under the label formal† (Perkins, 1990, p. 131). In many ways, the Romantic period has substantially dissolved the formality of art. As creativity significantly erased the pre-established artistic frames upon which virtuosos showed little to no regard, the following eventually came at a steadily increasing pace, not only popularizing the term ‘Romantic’ but also establishing it as a great movement in the history of mankind. By the term itself—movement—one is already inclined to assume that the Romantic period is a sort of a period of transition in the development of man. From the formal boundaries to the full realization of humanity’s freedom, the many varied parts of the Romantic period may not have altogether been the end itself during the time. Rather, the Romantic period only served as a time to prepare man for the complete attainment of freedom, at least in terms of artistic freedom. Prior to the Romantic era, it can be said that the disciplines were formal and constructive of the way in which man should conduct his affairs. Everything was done in a more or less, or even in a precise uniform manner. Perhaps the artists during the Romantic era have found something in the Classical era which they frowned upon. What else could this ‘something’ be than the fact that the Classical era has been predominantly defined by the formal and uniform means of defining what is artistic or socially acceptable from what is not? Of course, the vastness of the Classical period can hardly be altogether defined by a single description precisely because there, too, are many different disciplines during that time. Yet to claim and argue that there is no factual difference between the Classical era and Romantic era is to entirely miss the point. Nevertheless, it is a hardly debatable thought that the Classical era is an era which can be easily differentiated from the Romantic era and vice versa. Apart from the fact that new art forms were introduced during the Romantic era, there was also the increasing response towards the realization of artistic and intellectual freedom. Lest one becomes confused, one should be reminded that the struggles to break from the coherent and limiting system during the Classical period were not as forceful and widespread as compared to those during the Romantic period. Perhaps there was no existing social stimulus to ignite the sensibilities of people at the height of the Classical period. Perhaps the efforts undertaken during those times were not forceful enough or lacked the momentum to instigate a widespread social change. Nonetheless, the Romantic era has made its significant mark in the history of humanity, and continues to do so even to this day. References Lenneberg, H. (1994). Classic and Romantic: The First Usage of the Terms. The Musical Quarterly, 78(3), 619. Perkins, D. (1990). The Construction of â€Å"The Romantic Movement† as a Literary Classification. Nineteenth-Century Literature, 45(2), 131. How to cite The Romantic Era, Essay examples

Saturday, December 7, 2019

Chivalric Folk Tradition in Sicily

Question: Discuss about the Chivalric Folk Tradition in Sicily. Answer: Introduction: The summer season brings back memories of picnic with our loved ones and family in beautiful parks and beaches of Europe, which is one of the best tourist spot in the world. Cities like Croatia, Sweden and Sicily are the best summer retreats with secret and untapped locations, which help in adding extra excitement during the holidays (Platania and Torre 2016). Sicily is between the mountainous and rugged terrain of the Mediterranean, which attracts tourists due to the Greek ruins in the city. The city visually offers the tourists a historical journey through the Italian islands, which has seen difficult times in the past. The most famous attraction is found in the southwestern region of Agrigento, which was built around 582-580 BC and is home to Akragas and the Valley dei Templi, the two ancient cities. The place is also home to the seven monumental temples of the Greeks, which includes Temple of Concordia and Temple of Juno. The place is easily accessible by car or bus as it is a few distances away from Palermo. The best time to experience, the sight is during the night when the hilly areas are lit up with the columns and Greek porticos (Bacchini 2016). The city is also the birthplace of the Greek mathematician Archimedes that is located in Syracuse just on the southeast corner of the city. The island of Ortigia bears the testament of the city, which was at one point of time ruled by the Romans, Norman and the Aragonese. It also houses the Temple of Apollo, which was constructed in the 6th century BC, and the Fountain of Arethusa and the large theatres of the Greek period that are still in operation. The tourists can never miss these locations. The tourists can also visit places like Capo Tindari, Sellinunte, Taormina and Segesta, which offers great scenario about the historical artifacts surrounding the city (Ponton and Asero 2015). Andy Murray has faced Novak Djokovic in two grand slams in the year 2016 out of which he managed to win just one. Currently the top player of the world, Murray has just one mission in mind that is to find a way, which will stop Djokovic from winning against him. To make this dream come true, he has again hired his old coach Ivan Lendl from Scotland, who was the guiding light behind US Open, the 2012 Olympics and the Wimbledon title in 2013. According to Greg Rusedski, who is part of the team that will cover the Wimbledon for Eurosport said that Ivan has the capability to identify exactly the strong points of Murray and help him in capitalizing it. He further added that the coach could bring back the magic in the player, which will help him in winning the title (Kavanagh, Jones and Sheppard-Marks 2016). The winning percent of Murray is 29 percent against Djokovic because of 10 wins out of the 34 times that they played against each other. In the Grand Slams however, the percentage drastically drops to 20. The advantage that Djokovic has is the superiority that he maintains in the early rounds. Murray in the French Open had encountered two five-sets in the first week of the game. To be successful in winning over Djokovic, Murray has to be at his peak, which will help him in winning the first three sets. At the final of the French Open, which was held in Paris he had an aggressive start against Djokovic, which helped him in winning the first set but gradually started to give up that helped in Djokovic winning at the end. Ivan needs to get Murray going from the first round itself like Federer and Djokovic, which can help the player to be successful. In the 2013 Wimbledon, Djokovic took the longest time in history that is four hours and 43 minutes to beat Juan Martin Del Potro. Murray on the other hand defeated Jerzy Janowicz convincingly well under three hours (Haynes 2016). Djokovic and Murray are the two best serve return players in the game but the latter has an extra edge according to Rusedski. For Murray to succeed in the game, he has to bring out the best game on the grass courts as it suits him better than Djokovic and will provide a competitive advantage to him (Crepeau 2016). Place a saucepan over high heat, place the shallots, thyme, garlic and bay leaf, and pour the wine. The mixture needs to come to a boil when the heat should be reduced, which will help in reducing the mixture by two-thirds. The mushrooms need to be fried with half teaspoon of butter, which will help releasing the moisture. The onions need to be blanched in boiling and salted water and the bacon needs to be blanched for a minute. Leave the elements on a side to drain out the excess water. Add the beurre manie and stir in the sauce that will help in dissolving it. the sauce needs to simmer that will help in thickening. Add the snails and cook until it becomes heated. The mushrooms, bacon and onions needs to be added. At the end add the last butter and stir until it blends. Season it with salt and pepper. Reference List Bacchini, L.F., 2016. The Chivalric Folk Tradition in Sicily: A History of Storytelling, Puppetry, Painted Carts and Other Arts by Marcella Croce (review).MLN,131(1), pp.292-294. Crepeau, R.C., 2016. US Open Tennis. Haynes, R., 2016. Wimbledon, Colour and The Open Era. InBBC Sport in Black and White(pp. 279-295). Palgrave Macmillan UK. Kavanagh, E., Jones, I. and Sheppard-Marks, L., 2016. Towards typologies of virtual maltreatment: sport, digital cultures dark leisure.Leisure Studies,35(6), pp.783-796. Platania, M. and Torre, S., 2016. Island landscape scenario, planning and tools case studies.Island Landscapes: An Expression of European Culture. Ponton, D.M. and Asero, V., 2015. The Montalbano effect: re-branding Sicily as a tourist destination?.On the Horizon,23(4), pp.342-351.